ProductsChairsLounge chairsSofasOffice chairsChaises longuesStools & benchesSculpturesConference chairsAirport seatingStorage spaceMicro architectureDining tablesCafé tablesCoffee & side tablesDesksOffice furniture systemsConference systemsLightingClocksDecorative objectsCoat racks & wall shelvesTrays & vesselsAlexander Girard Antonio CitterioCharles & Ray Eames Barber OsgerbyGeorge NelsonHella JongeriusIsamu NoguchiJasper MorrisonJean ProuvéKonstantin GrcicRonan & Erwan BouroullecVerner PantonJulie RichozCare & repairSpare partsCare productsManufacturer warrantyNewBestsellerQuickly availableGift finderOffice chair finderLounge chair finderColour & materialMikadoColour Frame MirrorsInspirationsLiving roomDining roomHome OfficeChildren's roomOutdoorHome StoriesAugmented RealityWorkspaceFocusMeetingWorkshopClub OfficeCitizen OfficeStudio OfficeDynamic SpacesHospitalityAirportsEducationCo-WorkingHealthcareOur ClientsHome StoriesAugmented Reality - bring Vitra products into your homeA case for classicsColour & materialAn open house A leading space for a leading art collegeHigh comfort of low energyAn office landscape - without walls or partitionsServicesCare & repairSpare partsCare productsManufacturer warrantyFAQ and contactInstructionsInstructions for earlier productsConsulting & Planning StudioConsulting & planning in the VitraHausOutdoor care instructionsRepair, maintenance, overhaul at the Vitra Circle Store Campus ProfessionalsCAD dataProduct factsheetsCertificatesBrochuresSustainability reportInstructionsEcology informationpConPlanning examplesColour & Material LibraryCertificates and standardsTo the dealer loginOur ClientsMikadoTyde 2 on castorsACXDancing OfficeOffice chairsMagazineStoriesConversationsExhibitionsDesignerProject VitraVitraHaus Loft - A conversation with Sabine MarcelisKhudi BariWalking the talkA 1000 m2 piece of furnitureShaping the future of energyFrom a toy to an objectWhat would nature doWhy design classics remain relevant, even in the officeA studio visit with Tsuyoshi TaneThe Eames Collection at the Vitra Design MuseumMoments in architectureAbout the partnership between Eames and VitraThe Eames La ChaiseSaul SteinbergTane Garden HouseWhat would Charles and Ray say?The Maison Jean ProuvéThe OriginalVitra CampusExhibitionsGuided tours & workshopsFood and drinkShoppingActivities for familiesArchitectureYour eventPlan your visitVitra Campus appCampus EventsNewsVitraHausVitra Design MuseumVitra SchaudepotVitra Circle Store CampusOudolf GartenAbout VitraSustainabilityJobs & CareersDesign processThe Original is by VitraHistory - Project Vitra
Eames Fiberglass Armchair with Steinberg Cat
Charles & Ray Eames, 1950
Launched in 1950, the Eames Shell Chairs were the world's first industrially mass-produced chairs with the seat and backrest formed from a single plastic shell. Resting on a variety of different bases, the curved organic shells offer a sensation of free-floating lightness unlike anything experienced before.
Shortly after Charles and Ray Eames had developed the Shell Chairs, the artist and architect Saul Steinberg came to visit their office in Los Angeles at 901 Washington Boulevard. A good friend of Charles and Ray, Steinberg had already made a name for himself with his humorous and occasionally provocative painted illustrations of people and animals – especially cats – with which he repeatedly traversed the boundaries of traditional media.
Shortly after Charles and Ray Eames had developed the Shell Chairs, the artist and architect Saul Steinberg came to visit their office in Los Angeles at 901 Washington Boulevard. A good friend of Charles and Ray, Steinberg had already made a name for himself with his humorous and occasionally provocative painted illustrations of people and animals – especially cats – with which he repeatedly traversed the boundaries of traditional media.
Saul Steinberg with drawn face on his hand, Long Island, New York, 1978. © Estate of Evelyn Hofer
Eames Fiberglass Armchair with cat by Saul Steinberg at the Eames Office, 1950. © shutterstock.com Photo: Peter Stockpole
During his visit to the Eames Office, Steinberg spontaneously picked up a paintbrush and drew a number of lively cartoons – on furniture, floors and walls of the studio. Steinberg was particularly taken with the newly designed Shell Chairs and painted flowing lines continuing from one chair to next. A small, imaginative cosmos of personalities and animals took shape within the Eames Office premises, and Charles and Ray Eames and Eames Offices employees enthusiastically documented the spectacle with a series of photos.
One of the painted figures was a sleeping cat: Steinberg had it take a nap in one of the armchair shells. Relaxed and with closed eyes, it seems to have found the perfect spot to rest and remain inseparably united with the chair.
One of the painted figures was a sleeping cat: Steinberg had it take a nap in one of the armchair shells. Relaxed and with closed eyes, it seems to have found the perfect spot to rest and remain inseparably united with the chair.
From this universe of expressive drawings, only two vintage specimens still exist today: the cat on the armchair shell and part of a female nude, also on an armchair shell. The chair with the cat is owned by the Eames Office and the Eames family, the chair with the female nude is on permanent loan from the Eames Office and the Eames family to the Vitra Design Museum. Both chairs are regularly loaned for exhibitions around the world.
In collaboration with the Eames Office and Herman Miller, Vitra is now producing a limited edition of 500 pieces of the Eames Fiberglass Armchair with Steinberg Cat. For this purpose, a specialised firm scanned the original at the Eames Institute and generated a 3D file. The data was used to create an exact template, which makes it possible to apply Steinberg's drawing to the fibreglass shell as faithfully as possible. This work is done by hand by an artist for each individual shell, using paint which has also been painstakingly evaluated to be as close as possible to the original. Once the cat drawing has been applied, the shells are hand-numbered, sealed with a protective lacquer and given a special label.
The Eames Fiberglass Armchair with Steinberg Cat is manufactured in Germany and limited to 500 pieces – with 300 available from Vitra in Europe and 200 from Herman Miller for the rest of the world.
The Steinberg Cat is used with permission of the Steinberg Foundation.
The Steinberg Cat is used with permission of the Steinberg Foundation.
The Eames Fiberglass Armchair with Steinberg Cat is sold out
Thank you for your interest in the Eames Fiberglass Armchair with Steinberg Cat. The chair is sold out. Stay in the know for future limited editions by signing up to our newsletter.
Subscribe now
Information
Seat shell
Material description
- Steinberg Cat seat shell: dyed-through fibreglass-reinforced polyester, with cat drawing applied by hand in acrylic ink, sealed with a coat of clear varnish and individually numbered.
- Steinberg Cat base: wire base with cross struts, powder-coated finish. Seat height 256 mm.
This product was designed by
Charles & Ray Eames
Charles and Ray Eames are counted among the most important figures of twentieth-century design. Their work spans the fields of furniture design, filmmaking, photography and exhibition design. Vitra is the sole authorised manufacturer of Eames products for Europe and the Middle East. When you own an Eames product made by Vitra, you know it is an original.