ProdottiSediePoltrone loungeDivaniSedie da ufficioChaises longuesSgabelli et pancheScultureSedie per conferenzeSedute per aeroportiVolume utileMicro architectureTavoli da pranzoTavoli barTavolini da soggiorno e da salottoScrivanieSistemi di arredo per l'ufficioSistemi per conferenzeIlluminazioneOrologiOggetti decorativiAppendiabiti da parete e mensoleVassoi e vasiNuovoBestsellerDisponibile velocementeColori e materialiAlexander Girard Antonio CitterioBarber OsgerbyCharles & Ray Eames George NelsonHella JongeriusIsamu NoguchiLounge chair finderOffice chair finderGift finderCura & riparazioniRicambiProdotti per la curaGaranzia del fabbricanteVitra Circle StoresInnumerevoli configurazioni per tutte le esigenze: Anagram SofaAbbiamo un regalo per voi!IspirazioniSoggiornoSala da pranzoHome OfficeStanza dei bambiniOutdoorHome StoriesAugmented RealityColori e materialiSpazio di lavoroFocusRiunioniWorkshopClub OfficeCitizen OfficeStudio OfficeDynamic SpacesOspitalitàAeroportiEducazioneCo-WorkingHealthcareNostri clientiDestination WorkplacePerché i classici sono così importantiSedie da ufficioDancing OfficeHome StoriesAugmented Reality - portate i prodotti Vitra nella vostra casaPerché i classici sono così importantiColori e materialiUna casa invitante Uno spazio di primo piano per un istituto d'arte di primo pianoComfort e sostenibilità combinatiUn paesaggio d'ufficio - senza pareti o divisoriServiziCura & riparazionRicambiProdotti per la curaGaranzia del fabbricanteFAQ e contattiIstruzioni d'usoIstruzioni d'uso per prodotti precedentiConsulting & Planning StudioVitra Circle StoresConsulenza e progettazione nella VitraHausIstruzioni per la cura all'esternoRiparazione, manutenzione, revisione presso il Vitra Circle Store Campus ProfessionalsDati CADSchede technicheCertificazioniBrochureRapporto di sostenibilitàIstruzioni d'usoInformazioni sull'ecologiapConEsempi di pianificazioneColori e materialiCertificazioni e normativeDealer loginOur ClientsAnagram SofaMikadoTyde 2 su ruoteACXDancing OfficeSedie da ufficioDancing Wall mobile collaborationMagazineStorieConversazioniEsposizioniDesignerProject VitraJust Do It!EVER GREENWhy the Eames La Fonda Chair was designedWhen a Sofa is more than just a Sofa: Anagram100% virgin wool – 100% recyclableAn archive is like a time capsuleVitraHaus Loft - A conversation with Sabine MarcelisWalking the talkA 1000 m2 piece of furnitureFrom a toy to an objectA studio visit with Tsuyoshi TaneThe Eames Collection at the Vitra Design MuseumAbout the partnership between Eames and VitraVitra CampusMostreVisite guidate e laboratoriRistorazioneShoppingAttività da svolgere in famigliaArchitetturaIl vostro eventoPianifica la tua visitaVitra Campus appCampus EventsNotizieVitraHausVitra Design MuseumVitra SchaudepotVitra Circle Store CampusOudolf GartenSu VitraSostenibilitàJobs & CareersProcesso di designL'originale è di VitraStoria - Project Vitra
The Bedtime Stories May Change, the Armchair Stays the Same
Lounge Chair
When Birgitte von Halling-Koch was 15 years old, a special delivery from Vitra arrived at her childhood home in Copenhagen: an Eames Lounge Chair and Ottoman. That was back in 1958, and it was one of the first Lounge Chairs in Scandinavia– if not the very first. A decade or so later, the family took the armchair from Denmark to their summer home in Sweden. Today Birgitte, her sister, brother and all the children and grandchildren share this house, which is where we met Birgitte.
How did your family come to own one of the first Lounge Chairs?
My father, Percy von Halling-Koch, who was also called Bum by his friends, saw the Eames Lounge Chair when it was presented at the 1957 Triennale in Milan, and he liked it so much that he ordered the chair right away.
My father, Percy von Halling-Koch, who was also called Bum by his friends, saw the Eames Lounge Chair when it was presented at the 1957 Triennale in Milan, and he liked it so much that he ordered the chair right away.
How would you describe your life with the Eames Lounge Chair?
The chair has always been used by the whole family, and it was never given any special care. It was utilised like all of our other furnishings – as functional everyday objects. The only rule was that the cats and dogs weren’t allowed on the Lounge Chair, or on any other furniture for that matterHow is your Lounge Chair mostly used?
For sitting with my grandchildren on my lap and telling them bedtime stories, and for reading good books, and for taking naps during the day. It’s hard to resist falling asleep in it – after 60 years it is still so incredibly comfortable. I cannot count how many times my parents, my children, my grandchildren and I have nodded off into the land of dreams in that chair. It is a dear treasure of ours, full of so many memories.How would you describe the quality of the Eames Lounge Chair? Did you ever have to repair it?
The quality over the years has been amazing. We had it repaired only once a few years ago when the back became detached. The glue on the shock mounts must have weakened. Then we contacted a local dealer of Eames furniture, who ordered a special glue through Vitra and fixed it. The chair has worked perfectly ever since.Would you ever consider selling the Eames Lounge Chair?
No, I believe the chair belongs to this house now, and to my family, who comes here to work, or to go on holiday and enjoy some quiet time away from home. It is a dear treasure of mine, of my sister, brother, and of my parents’ grandchildren and great-grandchildren. It is a symbol of childhood memories, teenage dreams and parenthood, and an essential part of our home.‘Take your pleasure seriously.’
Charles & Ray Eames
Today Birgitte and her siblings are the owners of the Halling-Koch Design Center founded by their father. When not in Copenhagen, Birgitte also spends time working at the summer home in Sweden. Here, the Lounge Chair occupies a prominent place in front of the window, with a view of a lake dotted by many small islands. Over the decades, the black leather of the chair has developed fine creases and veins, and the palisander shells have taken on a lighter shade – changes that are characteristic of natural materials and lend furnishings a patina that reveals their unique history.
Publication date: 20.10.2017
Images: Brian Buchard, Marc Eggimann, Marek Iwicki