ProdottiSediePoltrone loungeDivaniSedie da ufficioChaises longuesSgabelli et pancheScultureSedie per conferenzeSedute per aeroportiVolume utileMicro architectureTavoli da pranzoTavoli barTavolini da soggiorno e da salottoScrivanieSistemi di arredo per l'ufficioSistemi per conferenzeIlluminazioneOrologiOggetti decorativiAppendiabiti da parete e mensoleVassoi e vasiNuovoBestsellerDisponibile velocementeColori e materialiAlexander Girard Antonio CitterioBarber OsgerbyCharles & Ray Eames George NelsonHella JongeriusIsamu NoguchiLounge chair finderOffice chair finderGift finderCura & riparazioniRicambiProdotti per la curaGaranzia del fabbricanteVitra Circle StoresInnumerevoli configurazioni per tutte le esigenze: Anagram SofaAbbiamo un regalo per voi!IspirazioniSoggiornoSala da pranzoHome OfficeStanza dei bambiniOutdoorHome StoriesAugmented RealityColori e materialiSpazio di lavoroFocusRiunioniWorkshopClub OfficeCitizen OfficeStudio OfficeDynamic SpacesOspitalitàAeroportiEducazioneCo-WorkingHealthcareNostri clientiDestination WorkplacePerché i classici sono così importantiSedie da ufficioDancing OfficeHome StoriesAugmented Reality - portate i prodotti Vitra nella vostra casaPerché i classici sono così importantiColori e materialiUna casa invitante Uno spazio di primo piano per un istituto d'arte di primo pianoComfort e sostenibilità combinatiUn paesaggio d'ufficio - senza pareti o divisoriServiziCura & riparazionRicambiProdotti per la curaGaranzia del fabbricanteFAQ e contattiIstruzioni d'usoIstruzioni d'uso per prodotti precedentiConsulting & Planning StudioVitra Circle StoresConsulenza e progettazione nella VitraHausIstruzioni per la cura all'esternoRiparazione, manutenzione, revisione presso il Vitra Circle Store Campus ProfessionalsDati CADSchede technicheCertificazioniBrochureRapporto di sostenibilitàIstruzioni d'usoInformazioni sull'ecologiapConEsempi di pianificazioneColori e materialiCertificazioni e normativeDealer loginOur ClientsAnagram SofaMikadoTyde 2 su ruoteACXDancing OfficeSedie da ufficioDancing Wall mobile collaborationMagazineStorieConversazioniEsposizioniDesignerProject VitraJust Do It!EVER GREENWhy the Eames La Fonda Chair was designedWhen a Sofa is more than just a Sofa: Anagram100% virgin wool – 100% recyclableAn archive is like a time capsuleVitraHaus Loft - A conversation with Sabine MarcelisWalking the talkA 1000 m2 piece of furnitureFrom a toy to an objectA studio visit with Tsuyoshi TaneThe Eames Collection at the Vitra Design MuseumAbout the partnership between Eames and VitraVitra CampusMostreVisite guidate e laboratoriRistorazioneShoppingAttività da svolgere in famigliaArchitetturaIl vostro eventoPianifica la tua visitaVitra Campus appCampus EventsNotizieVitraHausVitra Design MuseumVitra SchaudepotVitra Circle Store CampusOudolf GartenSu VitraSostenibilitàJobs & CareersProcesso di designL'originale è di VitraStoria - Project Vitra
Inner-City Living
At Home with… Pernilla Ohrstedt
Architect Pernilla Ohrstedt lives with her family in the Brunswick Centre in London. The Modern House visited her and spoke to her about her home and about living in the heart of the English capital.
´I moved here when my now-husband and his brother bought the place in 2002, while we were still studying. Five of us moved in, which might seem like it would have been crowded, but to us, as students, inner-city living was such a luxury that we didn’t mind; we were so close to university. We used the entire flat like a studio space. There was always someone building an architectural model, and even the kitchen floor was taken over. We still find materials samples hanging around.
´I moved here when my now-husband and his brother bought the place in 2002, while we were still studying. Five of us moved in, which might seem like it would have been crowded, but to us, as students, inner-city living was such a luxury that we didn’t mind; we were so close to university. We used the entire flat like a studio space. There was always someone building an architectural model, and even the kitchen floor was taken over. We still find materials samples hanging around.
It’s been mine and my husband’s base ever since, and now it’s us two, our six-month-old daughter and our cat. It’s a very compact plan with two bedrooms, a kitchen and living area, but it feels spacious because it’s so cleverly designed. There’s no wasted space, no dark corridors – everything is open and connected. The glazed greenhouse section lets a ton of light in, and then the balcony runs along the living room and onto the two bedrooms.
It’s quite rare to have so much daylight in an apartment in central London, and I love that we can see so much sky. The design of the centre is such that we have this amazing mirror image of our own building across from us. But we think of it as a ship passing in the night because although you get to know the other side, there’s still a sense of distance, and it’s far away enough not to feel intrusive.
The Brunswick Centre is still largely social housing and for residents who require assisted living. There’s definitely a sense of community here and people feel very attached to the building, like our neighbour, who has lived here since it was built in 1972. The local population is largely made up of an interesting and diverse, yet transient, set of people: students, doctors and nurses, and tourists staying at the big hotels.
The Brunswick Centre is still largely social housing and for residents who require assisted living. There’s definitely a sense of community here and people feel very attached to the building, like our neighbour, who has lived here since it was built in 1972. The local population is largely made up of an interesting and diverse, yet transient, set of people: students, doctors and nurses, and tourists staying at the big hotels.
One of the benefits of inner-city living is that we can walk everywhere at the weekend, and we especially like walking to the Tate on the Southbank via the Inns of Court, because it’s an area that feels like it’s caught in another time, and there are some great pubs hidden in the side streets. There are some really beautiful studio spaces in the Brunswick Centre that I have been trying to get my hands on for a while but I haven’t succeeded yet, so my office is on Shacklewell Lane in Dalston, which is an area I really like. I do the slightly strange thing of commuting outward, but I like the contrast in atmosphere and energy; it’s fun.
Living here suits us incredibly well and we don’t have an immediate need to move on or find anything bigger. We have what might be quite a typical dream to keep this place in the city, and then find a place closer to nature for some contrast. No matter what happens, though, I hope we can hold onto this; I love it here.`
A longer version was first published in “The Modern House” on 12 September, 2018.
Pernilla Ohrstedt collaborated with Jonathan Olivares on the concept and execution of the Vitra Workspace.
Publication date: 28.3.19
Author: The Modern House
Images: The Modern House