ProduitsChaisesFauteuilsCanapésChaises de bureauChaises longuesTabourets et bancsSculpturesSièges conférenceSièges pour aéroportsRangementMicro architectureTables de salle à mangerTables de caféTables basses et tables d’appointBureauxSystèmes de mobilier de bureauSystèmes de conférenceLumièresHorlogesObjets décoratifsPorte-manteaux et étagères muralesPlateaux et vaissellesAlexander Girard Antonio CitterioCharles & Ray Eames Barber OsgerbyGeorge NelsonHella JongeriusIsamu NoguchiJasper MorrisonJean ProuvéKonstantin GrcicRonan & Erwan BouroullecVerner PantonPanter&TourronEntretien & réparationProduits d'entretienGarantie du fabricantNouveauBest-sellerGift finderOffice chair finderLounge chair finderCouleurs & matériauxAnagram SofaVitra CushionsInspirationsSéjourSalle à mangerHome OfficeChambre d'enfantsExtérieurHome StoriesAugmented RealityCouleurs & matériauxEspace de travailConcentrationRéunionAteliersClub OfficeCitizen OfficeStudio OfficeDynamic SpacesEspace de réceptionAéroportsÉducationCo-WorkingHealthcareNos clientsÀ l’heure des classiquesChaises de bureauDancing OfficeHome StoriesAugmented Reality - faites entrer les produits Vitra dans votre maisonÀ l’heure des classiquesCouleurs & matériauxUne maison accueillante Un espace de premier plan pour une grande école d'artConfort et durabilité réunisUn paysage de bureaux - sans murs ni cloisonsServicesEntretien & réparationProduits d'entretienGarantie du fabricantFAQ et contactGuides d'utilisationGuides d'utilisation pour produits antérieursConsulting & Planning StudioConseils & planification dans la VitraHausInstructions d'entretien pour l'extérieurRéparation, entretien, remise en état au Vitra Circle Store Campus ProfessionalsDonnées CAOFiches produitsCertificatsBrochuresRapport sur le développement durableGuides d'utilisationInformations écologiquespConExemples de planificationCouleurs et matériauxCertificats et normesLogin revendeurNos clientsAnagram SofaMikadoTyde 2 sur roulettesACXDancing OfficeChaises de bureauMagazineHistoiresEntretiensExpositionsDesignersLe Projet VitraJust Do It!EVER GREENWhy the Eames La Fonda Chair was designedWhen a Sofa is more than just a Sofa: Anagram100% virgin wool – 100% recyclableAn archive is like a time capsuleVitraHaus Loft - A conversation with Sabine MarcelisWalking the talkA 1000 m2 piece of furnitureFrom a toy to an objectA studio visit with Tsuyoshi TaneThe Eames Collection at the Vitra Design MuseumAbout the partnership between Eames and VitraVitra CampusExpositionsVisites guidées et ateliersRestaurationShoppingActivités en familleArchitectureVotre événementPlanifier votre visiteVitra Campus appCampus EventsActualitésVitraHausVitra Design MuseumVitra SchaudepotVitra Circle Store CampusOudolf GartenSur VitraDurabilitéJobs & CareersProcessus de designL’original est signé VitraHistoire - Project Vitra
International Love Heart
A Vitra Anecdote
The symbol of love is a well-known motif in the design world of Alexander Girard, who created myriad variations of the heart shape in his graphic works and textile patterns. Alexander Girard’s International Love Heart is a quintessential representation of who he was, both as a designer and as a person.
Originally created in 1961 for the Textiles & Objects shop in New York City, this design speaks to Girard’s passion for typography, graphics, language – and above all, the universal sentiment of love. It strikes a balance of being clean, bold and concise, and at the same time soft, romantic and winsome. Girard constantly wove messages of peace, love and understanding into his work without ever succumbing to kitsch or sentimentality, and the International Love Heart is a perfect example. Comprising the word ‘love’ in many languages, this unique heart-shaped design also bears witness to Girard’s lifelong fascination with global dialects.
The motif was part of a larger range of designs that Alexander Girard created for printed pillows made of cotton and linen. The International Love Heart was later displayed in the form of a wooden wall decoration in The Compound restaurant, which Girard designed in 1966. Along with the interior of his private home in Santa Fe, New Mexico, The Compound restaurant was one of just a few local works. Unlike most of Girard’s richly ornamented and sumptuously coloured collages of patterns and objects, the detailing and furnishings in The Compound are characterised by a simpler, more rural charm. With its calligraphic lettering painted in black on a plain white background, this decorative wall object contributes to a lovely, warm atmosphere for the guests who dine there.
In 1967, Alexander Girard further developed the idea of the International Love Heart in his design of a textile that used the same distinctive letters, repeating them in a never-ending love pattern. Other examples of heart motifs by Alexander Girard are his famous Love Heart and a vast variety of double hearts, often referred to as ‘Sansusi’ – the combined nicknames of Girard (Sandro) and his wife Susan.
Originally created in 1961 for the Textiles & Objects shop in New York City, this design speaks to Girard’s passion for typography, graphics, language – and above all, the universal sentiment of love. It strikes a balance of being clean, bold and concise, and at the same time soft, romantic and winsome. Girard constantly wove messages of peace, love and understanding into his work without ever succumbing to kitsch or sentimentality, and the International Love Heart is a perfect example. Comprising the word ‘love’ in many languages, this unique heart-shaped design also bears witness to Girard’s lifelong fascination with global dialects.
The motif was part of a larger range of designs that Alexander Girard created for printed pillows made of cotton and linen. The International Love Heart was later displayed in the form of a wooden wall decoration in The Compound restaurant, which Girard designed in 1966. Along with the interior of his private home in Santa Fe, New Mexico, The Compound restaurant was one of just a few local works. Unlike most of Girard’s richly ornamented and sumptuously coloured collages of patterns and objects, the detailing and furnishings in The Compound are characterised by a simpler, more rural charm. With its calligraphic lettering painted in black on a plain white background, this decorative wall object contributes to a lovely, warm atmosphere for the guests who dine there.
In 1967, Alexander Girard further developed the idea of the International Love Heart in his design of a textile that used the same distinctive letters, repeating them in a never-ending love pattern. Other examples of heart motifs by Alexander Girard are his famous Love Heart and a vast variety of double hearts, often referred to as ‘Sansusi’ – the combined nicknames of Girard (Sandro) and his wife Susan.
Publication date: 31.1.19
Author: Aleishall Girard and Stine Liv Buur
Images: © Vitra Design Museum, Girard Studio, LLC