ProduitsChaisesFauteuilsCanapésChaises de bureauChaises longuesTabourets et bancsSculpturesSièges conférenceSièges pour aéroportsRangementMicro architectureTables de salle à mangerTables de caféTables basses et tables d’appointBureauxSystèmes de mobilier de bureauSystèmes de conférenceLumièresHorlogesObjets décoratifsPorte-manteaux et étagères muralesPlateaux et vaissellesNouveauBest-sellerRapidement disponibleCouleurs & matériauxAlexander Girard Antonio CitterioBarber OsgerbyCharles & Ray Eames George NelsonHella JongeriusIsamu NoguchiLounge chair finderOffice chair finderGift finderEntretien & réparationPièces de rechangeProduits d'entretienGarantie du fabricantVitra Circle StoresDes configurations innombrables pour tous les besoins: Anagram SofaNous avons un cadeau pour vous !InspirationsSéjourSalle à mangerHome OfficeChambre d'enfantsExtérieurHome StoriesAugmented RealityCouleurs & matériauxEspace de travailConcentrationRéunionAteliersClub OfficeCitizen OfficeStudio OfficeDynamic SpacesEspace de réceptionAéroportsÉducationCo-WorkingHealthcareNos clientsDestination WorkplaceÀ l’heure des classiquesChaises de bureauDancing OfficeHome StoriesAugmented Reality - faites entrer les produits Vitra dans votre maisonÀ l’heure des classiquesCouleurs & matériauxUne maison accueillante Un espace de premier plan pour une grande école d'artConfort et durabilité réunisUn paysage de bureaux - sans murs ni cloisonsServicesEntretien & réparationPièces de rechangeProduits d'entretienGarantie du fabricantFAQ et contactGuides d'utilisationGuides d'utilisation pour produits antérieursConsulting & Planning StudioVitra Circle StoresConseils & planification dans la VitraHausInstructions d'entretien pour l'extérieurRéparation, entretien, remise en état au Vitra Circle Store Campus ProfessionalsDonnées CAOFiches produitsCertificatsBrochuresRapport sur le développement durableGuides d'utilisationInformations écologiquespConExemples de planificationCouleurs et matériauxCertificats et normesLogin revendeurNos clientsAnagram SofaMikadoTyde 2 sur roulettesACXDancing OfficeChaises de bureauDancing Wall mobile collaborationMagazineHistoiresEntretiensExpositionsDesignersLe Projet VitraJust Do It!EVER GREENWhy the Eames La Fonda Chair was designedWhen a Sofa is more than just a Sofa: Anagram100% virgin wool – 100% recyclableAn archive is like a time capsuleVitraHaus Loft - A conversation with Sabine MarcelisWalking the talkA 1000 m2 piece of furnitureFrom a toy to an objectA studio visit with Tsuyoshi TaneThe Eames Collection at the Vitra Design MuseumAbout the partnership between Eames and VitraVitra CampusExpositionsVisites guidées et ateliersRestaurationShoppingActivités en familleArchitectureVotre événementPlanifier votre visiteVitra Campus appCampus EventsActualitésVitraHausVitra Design MuseumVitra SchaudepotVitra Circle Store CampusOudolf GartenSur VitraDurabilitéJobs & CareersProcessus de designL’original est signé VitraHistoire - Project Vitra
Inner-City Living
At Home with… Pernilla Ohrstedt
Architect Pernilla Ohrstedt lives with her family in the Brunswick Centre in London. The Modern House visited her and spoke to her about her home and about living in the heart of the English capital.
´I moved here when my now-husband and his brother bought the place in 2002, while we were still studying. Five of us moved in, which might seem like it would have been crowded, but to us, as students, inner-city living was such a luxury that we didn’t mind; we were so close to university. We used the entire flat like a studio space. There was always someone building an architectural model, and even the kitchen floor was taken over. We still find materials samples hanging around.
´I moved here when my now-husband and his brother bought the place in 2002, while we were still studying. Five of us moved in, which might seem like it would have been crowded, but to us, as students, inner-city living was such a luxury that we didn’t mind; we were so close to university. We used the entire flat like a studio space. There was always someone building an architectural model, and even the kitchen floor was taken over. We still find materials samples hanging around.
It’s been mine and my husband’s base ever since, and now it’s us two, our six-month-old daughter and our cat. It’s a very compact plan with two bedrooms, a kitchen and living area, but it feels spacious because it’s so cleverly designed. There’s no wasted space, no dark corridors – everything is open and connected. The glazed greenhouse section lets a ton of light in, and then the balcony runs along the living room and onto the two bedrooms.
It’s quite rare to have so much daylight in an apartment in central London, and I love that we can see so much sky. The design of the centre is such that we have this amazing mirror image of our own building across from us. But we think of it as a ship passing in the night because although you get to know the other side, there’s still a sense of distance, and it’s far away enough not to feel intrusive.
The Brunswick Centre is still largely social housing and for residents who require assisted living. There’s definitely a sense of community here and people feel very attached to the building, like our neighbour, who has lived here since it was built in 1972. The local population is largely made up of an interesting and diverse, yet transient, set of people: students, doctors and nurses, and tourists staying at the big hotels.
The Brunswick Centre is still largely social housing and for residents who require assisted living. There’s definitely a sense of community here and people feel very attached to the building, like our neighbour, who has lived here since it was built in 1972. The local population is largely made up of an interesting and diverse, yet transient, set of people: students, doctors and nurses, and tourists staying at the big hotels.
One of the benefits of inner-city living is that we can walk everywhere at the weekend, and we especially like walking to the Tate on the Southbank via the Inns of Court, because it’s an area that feels like it’s caught in another time, and there are some great pubs hidden in the side streets. There are some really beautiful studio spaces in the Brunswick Centre that I have been trying to get my hands on for a while but I haven’t succeeded yet, so my office is on Shacklewell Lane in Dalston, which is an area I really like. I do the slightly strange thing of commuting outward, but I like the contrast in atmosphere and energy; it’s fun.
Living here suits us incredibly well and we don’t have an immediate need to move on or find anything bigger. We have what might be quite a typical dream to keep this place in the city, and then find a place closer to nature for some contrast. No matter what happens, though, I hope we can hold onto this; I love it here.`
A longer version was first published in “The Modern House” on 12 September, 2018.
Pernilla Ohrstedt collaborated with Jonathan Olivares on the concept and execution of the Vitra Workspace.
Publication date: 28.3.19
Author: The Modern House
Images: The Modern House