ProductosSillasSillonesSofásSillas de oficinaChaises longuesTaburetes y bancosEsculturasSillas de reunionesMobiliario de aeropuertosEspacio de almacenamientoMicro architectureMesas de comedorMesas de cafeteríaMesas de café y auxiliaresEscritoriosSistemas de mobiliario de oficinasSistemas de reunionesIluminaciónRelojesObjetos decorativosPercheros y estantes de paredBandejas y recipientesNuevoBestsellerColores y materialesAlexander Girard Antonio CitterioBarber OsgerbyCharles & Ray Eames George NelsonHella JongeriusIsamu NoguchiLounge chair finderOffice chair finderGift finderCuidado & reparaciónProductos de mantenimientoGarantía del fabricanteVitra Circle StoresInnumerables configuraciones para todas necesidades: Anagram Sofa¡Tenemos un regalo para ti!InspiracionesSalónComedorOficina domésticaHabitación infantilExteriorHome StoriesAugmented RealityColores y materialesEspacios de trabajoZonas de concentraciónSalas de reunionesTalleresClub OfficeCitizen OfficeStudio OfficeDynamic SpacesHoteles y restaurantesAeroportesEducaciónCo-WorkingHealthcareNuestros clientesEn defensa de los clásicosSillas de oficinaDancing OfficeHome StoriesAugmented Reality - lleve los productos Vitra a su casaEn defensa de los clásicosColores y materialesUna casa acogedoraUn espacio puntero para una escuela de arte punteraConfort y sostenibilidad combinadosUn paisaje de oficinas sin paredes ni tabiquesServiciosCuidado & reparaciónProductos de mantenimientoGarantía del fabricanteFAQ y contactoInstruccionesInstrucciones para productos anterioresConsulting & Planning StudioVitra Circle StoresAsesoramiento y planificación en la VitraHausInstrucciones de mantenimiento en exterioresReparación, mantenimiento, revisión en el Vitra Circle Store Campus ProfessionalsDatos CADFichas técnicas de productosCertificadosFolletosInforme de sostenibilidadInstruccionesInformación ecológicapConEjemplos de planificaciónColores y materialesCertificados y normasAl inicio de sesión del distribuidorNuestros clientesAnagram SofaMikadoTyde 2 con ruedasACXDancing OfficeSillas de oficinaMagazineHistoriasConversacionesExposiciónDiseñadoresEl Proyecto de VitraJust Do It!EVER GREENWhy the Eames La Fonda Chair was designedWhen a Sofa is more than just a Sofa: Anagram100% virgin wool – 100% recyclableAn archive is like a time capsuleVitraHaus Loft - A conversation with Sabine MarcelisWalking the talkA 1000 m2 piece of furnitureFrom a toy to an objectA studio visit with Tsuyoshi TaneThe Eames Collection at the Vitra Design MuseumAbout the partnership between Eames and VitraVitra CampusExposicionesVisitas guiadas y talleresGastronomíaShoppingActividades en familiaArquitecturaSu eventoPlanificar la visitaVitra Campus appCampus EventsNoticiasVitraHausVitra Design MuseumVitra SchaudepotVitra Circle Store CampusOudolf GartenSobre VitraSostenibilidadJobs & CareersProceso de diseñoEl original es de VitraHistoria - Project Vitra
The Eames Plywood Elephant
The playful offshoot of a serious idea
While Charles and Ray Eames are widely known for their epochal group of Plywood Chairs, they also developed a number of sculptures and toys in the same material. They wanted to probe the possibilities of this new and unexplored technique of moulding wood, and to save on materials they experimented with smaller objects and different shapes aside from the chairs. The Eames Plywood Elephant emerged as a playful offshoot of the designer couple’s research.
Charles and Ray Eames had a love of toys and a soft spot for elephants. Charles Eames used to say: Toys are really not as innocent as they look. Toys and games are the preludes to serious ideas. While the Eames Plywood Elephant may not seem like the beginning of a serious idea, it represents an important step in the development of the moulded plywood technique. Together with the Plywood Chairs the sculptural animal came to symbolise a new era within the modern design industry and plywood soon became a favoured material for other furniture designers around the world.
Charles and Ray Eames had a love of toys and a soft spot for elephants. Charles Eames used to say: Toys are really not as innocent as they look. Toys and games are the preludes to serious ideas. While the Eames Plywood Elephant may not seem like the beginning of a serious idea, it represents an important step in the development of the moulded plywood technique. Together with the Plywood Chairs the sculptural animal came to symbolise a new era within the modern design industry and plywood soon became a favoured material for other furniture designers around the world.
The Eames Plywood Elephant was produced with tooling designed and built in the Eames Office and was introduced to the public in December 1945 along with the Plywood Chairs, first at the Barclay Hotel press and trade show and later in 1946 at the Architectural League preview and at The Museum of Modern Art. However, the Eames Plywood Elephant never went into production at the time. It was not until 2007 that Vitra ran a limited edition of 2000 pieces to celebrate the centenary of the birth of Charles Eames, followed by the introduction of the Eames Plywood Elephant as a permanent part of Vitra’s Eames portfolio in 2017.
The Plywood Elephant made in 1945 was given to Charles Eames’s only daughter, Lucia Eames, and is still in the possession of the Eames family today. Occasionally it tours with exhibitions on the Eameses, and lucky visitors can see the very piece formed and built by Charles and Ray Eames.
The Plywood Elephant made in 1945 was given to Charles Eames’s only daughter, Lucia Eames, and is still in the possession of the Eames family today. Occasionally it tours with exhibitions on the Eameses, and lucky visitors can see the very piece formed and built by Charles and Ray Eames.
Now in 2020, the Eames Elephant will be 75 years old. To commemorate this anniversary, Vitra is launching a special series in grey-stained wood – bringing the intricately produced collector's item even closer to its living counterparts.
Publication date: 10.9.2020
Images: © Eames Office, LLC; Vitra;