ProductsChairsLounge chairsSofasOffice chairsChaises longuesStools & benchesSculpturesConference chairsAirport seatingStorage spaceMicro architectureDining tablesCafé tablesCoffee & side tablesDesksOffice furniture systemsConference systemsLightingClocksDecorative objectsCoat racks & wall shelvesTrays & vesselsAlexander Girard Antonio CitterioCharles & Ray Eames Barber OsgerbyGeorge NelsonHella JongeriusIsamu NoguchiJasper MorrisonJean ProuvéKonstantin GrcicRonan & Erwan BouroullecVerner PantonPanter&TourronCare & repairSpare partsCare productsManufacturer warrantyNewBestsellerQuickly availableGift finderOffice chair finderLounge chair finderColour & materialAnagram SofaVitra CushionsInspirationsLiving roomDining roomHome OfficeChildren's roomOutdoorHome StoriesAugmented RealityColours & materialsWorkspaceFocusMeetingWorkshopClub OfficeCitizen OfficeStudio OfficeDynamic SpacesHospitalityAirportsEducationCo-WorkingHealthcareOur ClientsA case for classicsOffice chairsDancing OfficeHome StoriesAugmented Reality - bring Vitra products into your homeA case for classicsColour & materialAn open house A leading space for a leading art collegeHigh comfort of low energyAn office landscape - without walls or partitionsServicesCare & repairSpare partsCare productsManufacturer warrantyFAQ and contactInstructionsInstructions for earlier productsConsulting & Planning StudioConsulting & planning in the VitraHausOutdoor care instructionsRepair, maintenance, overhaul at the Vitra Circle Store Campus ProfessionalsCAD dataProduct factsheetsCertificatesBrochuresSustainability reportInstructionsEcology informationpConPlanning examplesColour & Material LibraryCertificates and standardsTo the dealer loginOur ClientsAnagram SofaMikadoTyde 2 on castorsACXDancing OfficeOffice chairsDancing Wall mobile collaborationMagazineStoriesConversationsExhibitionsDesignerProject VitraJust Do It!EVER GREENWhy the Eames La Fonda Chair was designedWhen a Sofa is more than just a Sofa: Anagram100% virgin wool – 100% recyclableAn archive is like a time capsuleVitraHaus Loft - A conversation with Sabine MarcelisWalking the talkA 1000 m2 piece of furnitureFrom a toy to an objectA studio visit with Tsuyoshi TaneThe Eames Collection at the Vitra Design MuseumAbout the partnership between Eames and VitraVitra CampusExhibitionsGuided tours & workshopsFood and drinkShoppingActivities for familiesArchitectureYour eventPlan your visitVitra Campus appCampus EventsNewsVitraHausVitra Design MuseumVitra SchaudepotVitra Circle Store CampusOudolf GartenAbout VitraSustainabilityJobs & CareersDesign processThe Original is by VitraHistory - Project Vitra
The Kazam! Machine
A Vitra Anecdote
In 1941 Charles and Ray Eames turned their LA apartment into a workshop. The Kazam! machine, a DIY-device for moulding plywood, was the key to the creation of the Plywood Group, chairs made from plywood shells with compound curves.
In their quest to find a way to mould plywood three-dimensionally in order to produce low-cost chairs – as well as sculptures, aircraft parts, leg splints and children’s furniture and toys – Charles and Ray Eames were relentless. During their first years in Los Angeles, in the beginning of the 1940s, the young design couple worked at home, where they set up an ad hoc workshop in the guest room. Before long, this workshop had expanded from the bedroom to the kitchen. Their greatest concern at the time was the development of the capacity to apply pressure to plywood without breaking it.
"Ala Kazam! – like magic."
After various failures, they eventually created a home-made apparatus for bending wood, a kind of curing oven made from wood scraps and spare bicycle parts. They called it the Kazam! machine. Made of a hinged and bolted curving plaster mould, the Kazam! machine allowed them to create a glued sandwich consisting of several layers of veneer, which was then pushed against the plaster mould by a membrane which, in its turn, was manually inflated by a bicycle pump. But the heated mould, with energy-hungry electrical coils running through it, required a lot more current than their home circuit could provide. So Charles climbed up a nearby power pole, carrying a large piece of heavy insulated cable, in order to poach enough electricity to run the Kazam! machine. Charles was afraid that he would electrocute himself. Luckily, he survived, and in the spring of 1945 the Eames succeeded in creating the Plywood Chair LCW (Lounge Chair Wood) made from plywood shells with compound curves. It was the beginning of the Plywood Group.
The Victoria & Albert Museum in London is currently hosting an exhibition that explores the history and production of plywood. Exhibits include prototypes by Charles and Ray Eames, Alvar Aalto and many other designers. More information
More information on the topic of Eames furniture is found in the "Eames Furniture Sourcebook" and “Essential Eames”, two new publications by the Vitra Design Museum, available in German and English editions from booksellers or directly from the VDM publishing house.
Publication date: 02.08.17; first published on 01.09.14
Author: Anniina Koivu
Image: © Eames Office, LLC